Best Animated Feature 2025 Ranking 🏆

A still of a scene from The Wild Robot. Features our main character, the robot named Roz.

This Sunday is the 97th Academy Awards, aka my personal Super Bowl. I’m not someone who watches every single film nominated (maybe one day), but I do make an effort each year to watch all of the animated films nominated for Best Animated Feature. 

As you can probably imagine, The Academy was hesitant for many years to create a singular category for animated films. The category of Best Animated Feature wasn’t established until the 74th Academy Awards in 2002, with Shrek taking home the inaugural statue. The category began by nominating three films for the first few years, eventually expanding to five. 

The Academy has revised the rules for the category multiple times over the years, most recently in 2010. The current rule states, “An animated feature film is defined as a motion picture with a running time of greater than 40 minutes, in which movement and characters’ performances are created using a frame-by-frame technique. Motion capture by itself is not an animation technique. In addition, a significant number of the major characters must be animated, and animation must figure in no less than 75 percent of the picture’s running time.”

This year’s crop of nominees includes films by heavy-hitter studios like Disney and DreamWorks, former winners like Nick Park, director of the Wallace & Gromit franchise, and an array of production home countries, including Latvia and Australia. 

Below is my personal ranking of the five films nominated for this year’s award. 


The Wild Robot (streamed on Peacock) 

If I were given a ballot for this year’s awards, I would cast my vote in this category for The Wild Robot. Directed by Chris Sanders and adapted from the book by Peter Brown, this film is everything I want in an animated feature. It stars a brilliant voice cast, led by Lupita Nyong’o, Pedro Pascal, and Kit Connor. You can feel the chemistry between their three characters. This film is all about a found family, reaching for the stars, and being adaptable to different situations. You don’t want to know how many times I cried watching Brightbill (Connor) and Roz (Nyong’o) connect and reconnect. The animation is absolutely stunning, especially the details drawn onto each individual animal. The film also features music by one of my favorite artists, Maren Morris. All in all, if you’re only going to watch one of the films on this list, make it this one. You won’t regret it. 

4.5/5 ⭐

Wallace & Gromit: Vengeance Most Fowl (streamed on Netflix) 

This one surprised me! These little claymation fellas wormed their way into my heart and into second place on this list. In this adventure, Wallace invents a “smart” gnome and Gromit, per usual, has to save this day. This time, he has to tackle artificial intelligence. Who would have thought that Wallace and Gromit would tackle AI before most of Hollywood? I watched this one with my mom and we both loved it. It features a small voice cast, with two major characters (Gromit and our villain, Feathers McGraw) communicating only with facial expressions. Clocking in at only 80 minutes, I highly recommend you put this on and have yourself a nice laugh during these hard times. You did good this year, Netflix. 


4/5 ⭐


Inside Out 2 (watched in theaters – now available to stream on Disney+)

I wrote about this film last month as a part of my Top 10 Films of 2024 list, so I’ll keep this brief. This Pixas sequel is directed by Kelsey Mann, his feature-length debut. I really like the Inside Out universe – I’ve seen all of the shorts and even watched the limited series they released last December, Dream Productions. (It’s fine, I mostly watched it because I love Paula Pell.) I adore the voice cast that makes up this film, especially Amy Poehler as Joy. Maya Hawke as Anxiety is a fantastic foil to Joy. I laughed out loud many times while watching this and, of course, teared up. But I do think this sequel is a bit forgettable. While I loved getting to hang out with Riley and the emotions again, I don’t think I’ll find myself returning to this film as much as I have rewatched the original over the years. This film is worth watching, believe me, but I don’t think it deserves to win this year’s Academy Award. 

4/5 ⭐

Memoir of a Snail (streamed on AMC+) 

Trigger warnings for this film: homophobia, suicidal ideation, alcohol abuse, death of a parent, feeding fetish, child abuse, religious trauma, financial insecurity. 

I had many thoughts after watching this film. Overall, I didn’t enjoy it. While it features lovely narration by Sarah Snook, Memoir of a Snail is genuinely one of the most depressing films I’ve ever seen. The animation design seems to be unsettling on purpose – you see boobs and butts at times when you don’t expect (or want!) to see boobs and butts. There are graphic sexual moments, non-consensual kink exploration, and numerous scenes that feature child abuse. I tried to eat lunch while watching this film and had to stop because I felt unsettled. 

This movie is definitely for somebody, but it wasn’t for me. I admire the ambition, though. 

3/5 ⭐

Flow (available to stream on Max)

I have to be honest, at the time of writing this post, I haven’t seen this film and I don’t know if I ever will. Not because I think I’d hate it, but because I don’t know if I could emotionally get through it. The description according to Letterboxd is, “A solitary cat, displaced by a great flood, finds refuge on a boat with various species and must navigate the challenges of adapting to a transformed world together.” Not to be all “I’m an empath” but watching animals in peril, especially animated ones, makes me incredibly distressed. Y’all are lucky you weren’t in the same theater as me when I watched Guardians of the Galaxy Vol. 3. I may change my mind as Sunday approaches, but as of today, I can’t weigh in on how this film is. 


Who are you rooting for to win Oscar gold this Sunday? You can see all of the films I’ve watched for this year’s awards and my ratings of them here.

Anxiety from Inside Out 2
Oh look, it’s me trying to watch all of these films before Sunday!

My Top 10 Films of 2024

New year, new media to discuss! Welcome to Pop Talk With Rach: 2025 Edition. We’re kicking off 2025 with an old-fashioned favorite post of mine to write: a list. I’m excited to discuss my top 10 films of 2024 – at least the ones that I actually watched in 2024. This may not be the most sophisticated favorites list you’ll ever see, but it’s, somewhat unfortunately, my truth. There will be some spoilers throughout the list, so keep an eye out!

Without further ado, here are my Top 10 Films of 2024!

10 movie posters side-by-side

Challengers – Directed by Luca Guadagnino

Challengers was one of my most anticipated films of 2024, and oh boy it did not disappoint! Starring Zendaya, John O’Connor, and Mike Faist, Challengers is a film about tennis, love vs. lust, and competition. It features a brilliant (Golden Globe-winning, Academy Awards SNUBBED) score, stunning cinematography, and master editing. If you haven’t seen this work of art yet, what are you doing? (PS: Patrick is the villain. I said what I said.) 

Wicked – Directed by John M. Chu

Wicked was probably *the* movie event of the year, and for good reason. As an adult theater kid, I was so excited to get to see Wicked on the big screen. I’ve never had the chance to see it on stage and only knew a few of the songs from old episodes of Glee, so I willingly went into the film blind. I didn’t regret this decision, because I was absolutely blown away. The songs, the costumes, the performances, the emotion – I adored it all. I’ve been disappointed to see Wicked have a bit of a Barbie effect this award season – all the acclaim, but few awards. I have hope that the Academy voters will give it a few trophies. Catch me in the theatre during opening weekend for Part 2 this fall! 

Inside Out 2 – Directed by Kelsey Mann

Imagine my shock when I started crying, oh, 10 MINUTES into Inside Out 2. These movies, man. Pixar hit it out of the park once again with this sequel. Set a few years after the conclusion of Inside Out, we follow Riley through a summer hockey camp. What got me at the beginning of the film was Riley being told that her two best friends would not be going to the same high school as her. When this was said, my best friend and I looked over at each other in shock, because this happened to us in middle school! I remember being 15 years old and feeling so scared and anxious, not only for a new beginning but for a new beginning without the people I was the most comfortable with. The brilliant writers and animators at Pixar (who were allegedly underpaid and overworked during production, unfortunately) captured Riley’s emotions over all of these changes so well. Oh, and Joy’s crash-out moment had me ROLLING. Amy Poehler forever. 

Twisters – Directed by Lee Isaac Chung

This film may be ranked too high for some people, but to them, I say this – ARE YOU ALLERGIC TO FUN? I thoroughly enjoyed Twisters, a soft sequel to the classic 1996 film, Twister. I went into this ready to have fun and enjoy the bi-panic of Daisy Edgar-Jones and Glen Powell on my screen. I won’t spoil it for y’all, but the opening scene is actually terrifying and a fantastic jumping-off point. The tornado scenes are done well, and the chemistry between Edgar-Jones and Powell is palpable. Chung is one of my favorite directors, and I think he did a fantastic job jumping from an indie classic like Minari into a giant action picture like Twisters. I thought this was the perfect summer fun film, and I will be watching it again. 

Civil War – Directed by Alex Garland

I won’t lie, Civil War is a tough watch. I don’t think I’ll be able to rewatch it for a long time. That being said, I did think it was brilliant. The film is grounded in the fantastic performances of Kirsten Dunst and Cailee Spaney, who are assisted by Wagner Moura. The film is a mix of quiet reflection and intense action. There are two scenes in particular that featuresome of the most horrifying, realistic violence I’ve ever seen in a movie theater. If you’re mentally prepared for all of this, I do recommend giving Civil War a watch. 

Abigail – Directed by Matt Bettinelli-Olpin & Tyler Gillett

My favorite horror movie of 2024, Abigail, is a bloody good time. I really enjoy Bettinelli-Olpin and Gillett’s film style – it’s their work that revived the Scream franchise, (and it’s a damn shame they won’t be back for Scream 7) and got me more into the slasher genre with the mix of horror and comedy. Abigail stars one of my very favorite final girls, Melissa Berrera, and a terrifying little vampire, Alisha Weir. It’s bloody and action-packed. Each kill makes you more desperate to see Berrera survive. This one is a must-watch for any horror fan. 

Saturday Night – Directed by Jason Reitman

Saturday Night was another one of my most anticipated films of the year. If you know me, you know that I love SNL. I grew up watching it and found myself a little obsessed with it in 2016/2017 – it really helped me process the results of the 2016 election and move forward into the (tragically, first) Trump administration. I’ve seen two live tapings of Late Night With Seth Meyers and nearly sobbed when Amy Poehler was one of the guests at the second taping I saw. All that said, this film was basically made for me. I saw it in theaters with my mom and we had a blast. The performances are great and the costume design/makeup/hairstyling departments hit it out of the park. However, I do believe that if you’re not an SNL fan, not a fan of television history, or not into pop culture at all, this movie wouldn’t be for you. It’s a pretty niche film – perfect for someone like me, but I would completely understand if someone else found themselves bored and/or confused. 

Beetlejuice Beetlejuice – Directed by Tim Burton

Oh, Beetlejuice. What an odd guy. I actually saw Beetlejuice The Musical before I saw the original 1988 film. I went back to watch the film, and, honestly, didn’t love it. It’s fine – I adore Catherine O’Hara and Winona Ryder, and Geena Davis and Alec Baldwin are adorable ghosts. But Beetlejuice himself just didn’t charm me on film as he did on stage. This sequel, decades in the making, is actually better to me. Though it’s full of plot holes and unnecessary love interests, the performances by the female characters grounded the film a bit for me. It’s always fun to watch Delia crash out, and watching Lydia and Astrid’s relationship slowly be repaired was nice. I enjoyed Beetlejuice himself more in the sequel – thank GOD they decided to have him continue to pursue Lydia instead of passing the baton to Astrid. *shudders* For a nice, nostalgic watch, give this one a chance. 

A Complete Unknown – Directed by James Mangold

“How does it feel?” It feels bad, Bob. It feels bad. This film birthed one of my favorite new memes, and was a pretty fun watch! With an almost 2.5-hour runtime, I was a little nervous going into the film that I would get bored. But the balance of music/drama/romance actually worked very well. I was thrilled to see that Monica Barbaro was nominated for an Academy Award for her role as Joan Baez. She was the standout of the film for me, singing and strumming her way into my heart. For a biopic, I appreciated that they kept a strict timeline in place. They didn’t follow Bob’s birth to inevitable fall from relevance – they followed Bob for about 10 years and then faded to black. A fantastic choice. Overall, do I believe this is the role that should win Timothee Chalamat his Oscar? No, I don’t think so. Could it be? Sure! I wouldn’t be angry, just a little confused. A Complete Unknown is one of the better Oscar-baited biopics of recent years. If you’re able to watch it with subtitles though, I recommend – I forgot that Bob is allergic to annunciation. 

Wolverine & Deadpool – Directed by Shawn Levy

Yes, I also hate that this made my top 10. But I promised myself I wouldn’t lie to y’all about these picks, so here we are. Thankfully, I watched this on Disney+ a few weeks before Blake Lively and Justin Baldoni’s legal battle started, so I had enough time to forget the drama from this summer and try to enjoy Deadpool again. This film wasn’t perfect, not even close. Deadpool has definitely lost some of his magic. But I still had a good time. The cameos are fun, the opening fight is pretty damn good, and the overall plot is fine. Hugh Jackman did not seem like he wanted to be there at all, which is fine. Reynold’s over-the-top performance has enough energy for the two of them. 

Oh, what’s that? You want to know if I think Nicepool is based on Justin Baldoni? I don’t know, nor do I care. I’m pretty sure that impersonations aren’t illegal, but what do I know? 


And that’s it! My Top 10 Films of 2024 that I actually watched in 2024. What were some of your favorite films of 2024? What are you most looking forward to in 2025? 

You can follow me on Letterboxd and keep up with my chaotic watch history here

The Joys of Borrowing DVDs From My Local Library

In 2020 and 2021, I was renting a couple of films through my Apple account every month. I had recently gotten more into film during the height of the COVID-19 pandemic, and was thoroughly enjoying checking films off of my Letterboxd watchlist. I was spending a minimum of $3.99 for each rental, some upwards of $6.99 for a newer release. The most I’ve ever spent on a rental was $19.99… for the Dear Evan Hansen film adaptation. 🙈 

This somewhat expensive hobby of mine tampered off after 2021. I was much busier with work and other responsibilities, and mostly saved renting films for when I was with my friends (for which we would normally split the rental cost). Due to this, I discovered that many of the films that I first put on my Letterboxd watchlist had remained on the list year after year. This would annoy me momentarily as I looked through my watchlist, but I would soon forget about these films once again. These films typically weren’t on any of the streaming services I subscribe to, (which is a whole other topic to discuss) and I didn’t want to fork over the $3.99 to watch them by myself. 

Earlier this summer, one of my best friends (hi Nicki) was visiting from her new home in Idaho, and was telling me her struggles with the internet at her new location. Due to this, she isn’t able to do much streaming for entertainment purposes. What does she do instead? She borrows DVDs from her local library. 

Y’all. When I tell you that my mind exploded… 

Let me clarify one thing before we go further – I have always been a big library girl. Growing up, I swear I read every YA book in my local library. One of my earliest memories is of flipping through The Berenstain Bear books available at my library. I used to borrow CDs from my library and burn them to my iTunes library (unsure if this was legal, but I was a child, so I think I’m good). Into adulthood, though, I did fall off of the library train. 

Over the past year, I have re-fallen in love with going to the library. I’ve saved over $500 from checking out physical books, audiobooks, comics, ebooks, and, most recently, DVDs. 

Imagine me rolling up to my local library in June of this year and checking out *literally* a dozen titles. Actually, you don’t have to imagine, because that is what happened. 

As of today, I’ve been able to check eight films off of my Letterboxd watchlist through checking out DVDs. Most of these films had been on my watchlist for upwards of 3 years – The Blackening (2022) is probably the most recent addition, and it’s been on there for nearly 2 years. Here’s a list of the films I’ve watched and how much they would cost me to rent (or the streaming service they’re currently on). 

We love a new Letterboxd tag, folks.
  1. Parasite (2019)
    1. Cost $3.99 to rent. Available to stream on Max. 
  2. Fargo (1996)
    1. Cost $3.99 to rent. Available to stream on Max. 
  3. BlacKkKlansman (2018)
    1. Cost $3.99 to rent. 
  4. Happy Death Day (2017)
    1. Cost $3.99 to rent. 
  5. Jackie (2016)
    1. Cost $3.99 to rent. 
  6. Can You Ever Forgive Me? (2018)
    1. Cost $3.99 to rent. 
  7. The Blackening (2022)
    1. Cost $5.99 to rent. Available to stream on STARZ. 
  8. The 355 (2022)
    1. Cost $3.99 to rent. Available to stream on STARZ. 

If you’re keeping up with my math, I’ve saved nearly $34 by checking out these titles at my library! That’s a lot of money on only eight films. 

I also have to credit @newts.films on TikTok for the inspiration for this post – she’s been promoting going to local libraries for DVDs this summer, and I’ve loved seeing what’s available at hers. If you’re a newcomer to this practice and aren’t sure what to grab to check out, her videos are a great starting point. 

Support your local libraries, friends! It serves your community and can help you save money. 

Follow along with my journey on Letterboxd – @rachelori.

Ranking All 15 of the A24 Films I’ve Logged on Letterboxd: Part 3

Welcome back to my ranking of the 15 A24 films that I’ve logged on Letterboxd! This is the final part and features some of the best films I’ve ever seen. If you need a refresher, Part 1 is here and Part 2 is here. Now, let’s dive into Part 3!

4. Everything Everywhere All At Once (2022)

What can I say about this film that hasn’t already been said? Innovative, captivating, soul crushing, and so damn beautiful. Michelle Yeoh, Ke Huy Quan, and Stephanie Hsu absolutely smashed their performances, drawing you in and keeping your attention throughout every second of this science fiction, comedy, drama, no one genre film. The Daniels (as Daniel Scheinert and Daniel Kwan are known as) managed to write and direct one of the most important films of the 21st century on a 25 million dollar budget. This film is A24’s masterpiece and it deserved every damn award that it was given. If you haven’t seen Everything Everywhere All At Once, I am begging you to sit down and watch it. 

Letterboxd ranking: 4.5/5

3. Causeway (2022)

Causeway marked lead actress Jennifer Lawrence’s return to Hollywood in early 2022, starring as a veteran of the war in Afghanistan home in New Orleans after suffering a traumatic brain injury while on duty. The film follows Lawrence’s character, Lynsey, as she returns to live with her mother and attempts to build a new life for herself in her hometown. While experiencing car trouble, Lynsey meets mechanic James, played by Brian Tyree Henry, and the two become unlikely friends. The two reluctantly begin to open up to each other, though the film reveals that they both have secrets that they’re hesitant to tell the other. 

A quieter film than most on this list, Causeway took my breath away when I watched it. Lawrence and Henry are brilliant in their roles, with Henry being nominated for an Academy Award for his performance. Causeway is the first feature film for director Lila Neugebauer and I’m excited to see what she tackles next. The film is intimate – you truly feel like a fly on the wall as you watch Lawrence and Henry trade quips and drink beer. If you’re looking for a film to quietly sink into, I highly recommend checking this one out on Apple TV+.

Letterboxd ranking: 4.5/5

2. Minari (2020)

Minari is a stunning film about the concept of the American Dream, immigration, and intergenerational relationships. Written and directed by Lee Isaac Chung and starring Steven Yeun, Minari follows a young family in the 1980s as they move from the West Coast to Arkansas in order to pursue farming. The film follows the family as they work and struggle to make ends meet while also facing racism in their new community and marital problems between the two leads. 

Alan Kim, a child actor, was one of the breakout stars of the film for his portrayal of the playful youngest child of the family, David. Youn Yuh-jung, an esteemed South Korean actress, won the Academy Award for her performance as the grandmother of the family, Soonja. The film was nominated for Best Picture and Best Original Screenplay at the Academy Awards. In total, the film won 54 awards throughout the 2020-2021 awards cycle.

In my opinion, each award was well deserved. I remember seeing the film in theaters and absolutely sobbing through the ending. It’s a beautiful film and a triumph for A24. 

Letterboxd ranking: 5/5

1.  The Florida Project (2017)

You know those films that just grab a piece of your heart and never let it go? That’s me with The Florida Project. Written and directed by Sean Baker, The Florida Project follows Moonee, a young child living with her single mother in a rented by the week motel room near DisneyWorld. We primarily see the film through Moonee’s eyes, though we are treated to a few scenes from the manager of the motel, Bobby’s, (brilliantly played by Willem Dafoe) point of view. 

This film is an analysis of the American class system. We see the wonder and magic of Disney intertwined with the poverty experienced by thousands of families just miles away from the park gates. 

Moonee and her mother, Halley, are scraping by and mostly live on a diet of pizza and soda. Towards the end of the film, we see Halley become desperate to make money, choosing to participate in sex work. While I believe that sex work is work and that sex workers deserve to be protected at every turn, Baker shows us the harsh reality of Halley’s experience inviting men into the same room that she shares with Moonee in order to make a couple of hundred dollars. While Halley works, she puts Moonee into a bath and turns their radio on to prevent the child from overhearing anything. There’s a jarring scene during this sequence where one of Halley’s clients opens the bathroom door, despite Halley’s protests, only to shame Halley for her choices. This scene in particular has stuck with me since I first saw the film. We only see Moonee in this moment, happily playing in her bath and singing along to the radio, suddenly looking confused and scared as she freezes and stares at the man in the doorway. This is one of the scenes that shows us that Moonee is slowly losing her innocence while in her mother’s care. I won’t spoil much else about this film because I truly think that everyone should watch it. It’s heartbreaking and will stick with you for a long time afterward. 

As mentioned earlier, esteemed actor Willem Dafoe is one of the leads and received an Academy Award nomination for his performance. Moonee, played by Brooklynn Prince, has gone on to star in many other films, including Cocaine Bear. Director Baker went on to write and direct another A24 film, Red Rocket, starring Simon Rex. 

The Florida Project is one of the best films in A24’s catalog and my personal favorite. 

Letterboxd ranking: 5/5

We’ve reached the end of my A24 ranking! As a reminder these are just the A24 films that I’ve logged on Letterboxd. I’ve seen more and will continue to see more. Do you agree with my ranking? Is there an A24 film that I should watch next? Let me know in the comments! 
Follow me on Letterboxd here.

Ranking All 15 of the A24 Films I’ve Logged on Letterboxd: Part 2

Welcome back to my ranking of the 15 A24 films that I’ve logged on Letterboxd! We’ve got some gems (*wink*) in this list that I’m excited to share with y’all. Let’s dive in!

9. White Noise (2022)

Directed by Mr. Greta Gerwig, aka Noah Baumbach, White Noise follows a family of five as they navigate in a slightly apocalyptic world following a chemical spill from a rail car. The film is based on the novel of the same name, written by Don DeLillo, with this adaptation also written by Baumbach. The film stars Gerwig as the complicated but doting wife of Adam Driver, a professor of Hitler studies at The-College-on-the-Hill. The film is bolstered by the three young actors who play the Driver and Gerwigs’s children, providing laughs at times and adding to the tension at others. The film is full of twists and turns, most of which could be spoiled if I said too much. What I will say is that this film is fantastic and an underrated member of Baumbach’s filmography. The only reason it isn’t higher on this list is because I’ve only seen it once and should probably give it a rewatch soon. 

Letterboxd ranking: 4.5/5

8. Bodies Bodies Bodies (2022)

What happens when you mix a hurricane, alcohol, machetes, and a group of frenemies in one home? A series of cold blooded murders, obviously. This stellar ensemble slasher stars Amandla Stenberg as Sophie, a 20-something who is making an effort to spend time with some old friends while introducing said friends to her new girlfriend, Bee. Bee is played by Maria Bakalova, who was fresh off of her Academy Award nominated performance in Borat Subsequent Moviefilm. The film has some incredible one liners delivered brilliantly by actors such as Rachel Sennott and Pete Davidson. The film mocks Zillennial (Gen Z and millennial) culture well, a move that could have easily been cringe. This is a slasher film that could be watched year-round, in my opinion. Grab some friends and be ready to both hide at the sight of blood and laugh at the ridiculousness. 

Letterboxd ranking: 4/5

7. Marcel the Shell With Shoes On (2022)

Marcel is a bold film that combines animation with real life and has Dean Fleischer Camp (who also wrote and directed the film) playing opposite a small animated shell, voiced brilliantly by Jenny Slate. Marcel was first created in the 2010’s by Slate and Camp and found an audience on the internet. In this story, Marcel is spending time taking care of their grandmother, Nana Connie, as she reaches the end of her life. (Cue the waterworks, oh my.) It’s a beautiful film that found a tiny shell with shoes on making their way to the Academy Awards. We love to see it. 

Letterboxd ranking: 4/5

6. Uncut Gems (2019)

Was anyone able to scroll on TikTok in 2022 without coming across the video of Julia Fox saying “Uncut JAAAMS”? I’m envious if you were. Anyway, Uncut Gems is a fantastic movie led by Adam Sandler, Julia Fox, Idina Menzel and a gaggle of real life athletes. The story follows Howard, played by Sandler, as he attempts to pull off a series of complicated sports gambling exploits. Fox plays his mistress while Menzel plays his “over his shit” wife. I first watched this film in 2021, a while after the hype died down, and was blown away. I was on the edge of my seat the entire time. The film was written and directed by the Safdie brothers, known for their high intensity thrillers, and this endeavor was no different. A must watch. 

Letterboxd ranking: 4/5

5. Priscilla (2023)

I’m trying to not let recency bias filter too much into my ranking of Priscilla, written and directed by Sofia Coppola, but I absolutely adored this film. It embodies Coppola’s filmmaking style at its best – a combination of lingering wide shots, close ups of the main subject while the action builds around her, a gorgeous score and one needle drop that makes you go “damn.” Caillee Spaeny and Jacob Elordi embodied Priscilla and Elvis, showing us the connection that brought the two together and the disinterest and lack of care that tore them apart. I found myself near tears at the end, watching Priscilla drive away from Graceland, and thus becoming her own person for the first time in her life. Coppola is back, baby!

Letterboxd ranking: 4/5

Stay tuned for the final part of my A24 ranking, coming soon! Catch up on part 1 here. Follow me on Letterboxd.

Ranking All 15 of the A24 Films I’ve Logged on Letterboxd: Part 1

For reference, the films* discussed in this post are sorted below by release year.

  • The Bling Ring (2013)
  • The Florida Project (2017)
  • Uncut Gems (2019)
  • Zola (2020)
  • Minari (2020)
  • On The Rocks (2020)
  • False Positive (2021)
  • The Green Knight (2021)
  • Marcel the Shell With Shoes On (2021)
  • Everything Everywhere All At Once (2022)
  • Bodies Bodies Bodies (2022)
  • White Noise (2022)
  • Causeway (2022)
  • Sharper (2023)
  • Priscilla (2023)

*Note: The 15 films discussed in this post are not all of the A24 films I’ve seen, only the ones that I have logged on Letterboxd. 

I first started becoming more interested in film during the summer of 2020. Bolstered by the volume of content on the many streaming services I was subscribed to and the boredom I was experiencing during the COVID-19 pandemic, I began to fill my time by watching films. It wasn’t long before I found that my taste in film (which is, to be honest, all over the place) coincided well with the indie production company, A24. 

Based in Manhattan, A24 was founded by Daniel Katz, David Fenkel, and John Hodges in 2012. Working in the television and film industry, A24 broke into public consciousness in 2013 with the popular films Spring Breakers, The Bling Ring, and The Spectacular Now. 

Since its conception, A24 has produced some of the most popular films of the decade, including the 2022 Best Picture Oscar winner, Everything Everywhere All At Once. The company dabbles in all genres, including drama, horror, comedy, musicals, and documentaries. Frequent directors seen working with the company include Sofia Coppola, Sean Baker, and the Safdie brothers. 

All this is my way of saying that I constantly have my eyes peeled for the next A24 release. I don’t religiously keep up with each one, but I can confidently say that I’ve overall enjoyed each A24 film I’ve seen. As for my ranking? Let’s discuss.

15. False Positive (2021)

I was actually very excited to watch False Positive when it came out in the summer of 2021. It stars Ilana Glazer from Broad City, a show that I discovered and devoured when I was in college. I was excited to see Glazer expand her filmography and try her hand at psychological horror. Unfortunately, even while running at a tight 93 minutes, False Positive couldn’t end soon enough for me. While I won’t spoil the twists and turns of the film for you, I will say that the last twenty minutes are full of blood and gore, screaming, and a trippy hallucination from Glazer’s character. This film is not for the faint of heart or for anyone who has any pregnancy related trauma. 

Letterboxd ranking: 3/5

14. The Green Knight (2021)

I’m going to be completely honest right now and say that I do not remember much about The Green Knight. The film stars Dev Patel, who I adore, and introduced me to Barry Keoghan, an actor who was experiencing a breakout year in 2021. The film is billed as an “epic fantasy,” but mostly left me asking questions and feeling confused. This is one of the A24 films that I watched because of the hype and walked away feeling no connection to it. And that’s okay! Not every film you watch is going to stick with you. 

Letterboxd ranking: 3/5

13. On the Rocks (2020) 

Ah yes, On the Rocks, the film where Sofia Coppola discovered black people!* My personal least favorite Coppola film and the lowest that I have ever rated one of her films. While I typically love Coppola’s filmmaking style, this film is ultimately a drag. A father and daughter tale mixed in with cheating accusations, side characters who aren’t given enough to do, and subpar performances from Rashida Jones and Bill Murray. All of this said, I haven’t watched it since 2020, so a rewatch may be in my future to see if my Letterboxd ranking is still fair. Speaking of which… 

Letterboxd ranking: 2/5

* Please note that a.) I am joking and b.) I can’t take credit for this joke. It appears dozens of times in the Letterboxd reviews for this film. 

12. The Bling Ring (2013)

Another Coppola film, this time with much more flair and a clear point of view. In 2013, Coppola decided to tackle the story of The Bling Ring, a group of Los Angeles teenagers who famously broke into the homes of celebrities to steal big ticket items after tracking their whereabouts on entertainment blogs. The film famously stars Emma Watson in one of her first post-Harry Potter roles and includes a cameo from real life Bling Ring victim, Paris Hilton. This film is fun and light and different from Coppola’s usual melancholy tone. I like this film but it does feel a bit out of place in Coppola’s overall filmography. 

Letterboxd ranking: 3/5

11. Sharper (2023)

Fun, sexy and a bit long at nearly two hours, Sharper is the kind of mystery-thriller-action film that you can watch with your mom and your friends. Starring Julianna Moore and Sebastian Stan, Sharper is told through multiple characters, through different timelines, and over the course of a couple of years. The build up is slow, but once you reach the half hour mark, I guarantee you’ll be interested to see where this story ends.

Letterboxd ranking: 3/5

10. Zola (2020)
Zola! Oh man, this film is a riot. Based on a true story that was documented on Twitter through 148 tweets in 2015, Zola follows Aziah Wells as she goes through a shocking weekend in Florida. For more background on the real life tale, I recommend this article that includes the tweets. The film has an all-star cast of Taylour Paige, Riley Keough, Colman Domingo, and Nicholas Braun. Braun is a personal highlight for me, as he has one scene towards the end of the film that had me and my best friend screaming with laughter. A wild and twisty tale, Zola is the first film on this list that I HIGHLY recommend you watch.

Stay tuned for Part 2 of my A24 ranking, coming soon! You can follow me on Letterboxd here.

What I Logged on Letterboxd: May 15th – 31st

We’re back with the second edition of What I Logged on Letterboxd for the month of May! As a reminder, I try do do this on a weekly basis, but life got crazy in April leading to this new schedule. I should have things back in track in June, with more time and mental capacity to watch some of the latest and greatest summer releases! For now, let’s talk about what I watched in the second half of May.


May 21st: Madagascar (2005): 3/5

Available to stream on: Peacock

This is a random rewatch, I know. However, I have had the urge to watch this film again since late 2021. I think part of the appeal was that it wasn’t available on streaming at the time, so I was just waiting for it to become available somewhere. It was finally added to Peacock in May, leading me to immediately watch it on a Saturday night. Madagascar is a quick, easy watch. It had a few laugh out loud moments for me, and aged pretty well considering it was released in 2005. The scene where three of the animals are casually riding the subway? Hysterical. I do think that the screenplay could have had a bit more heart put into it, but I think it’s a solid animated film.


May 21st: Charlie and the Chocolate Factory (2005): 4/5

Available to stream on: Netflix

I was clearly in a reminiscing mood on the 21st. I remember watching this film as a child and being enamored with it. And honestly, I’m still pretty enamored with it. The songs, one-liners, and cast are incredible. Again, I think this film has aged pretty well. That being said, there are about a dozen unnecessary fatphobic comments and jokes made throughout the entirety of the film. That aside, I had a great time rewatching this as an adult.


May 25th: Crazy, Stupid, Love. (2011): 3.5/5

Available to stream on: Netflix or HBO Max

I’ve been wanting to watch this film since it came out in 2011, but never got around to it. I’m glad I finally gave it a shot. This is a decently funny rom com, with a star-studded cast. We love to see the beginning of Emma Stone and Ryan Gosling on screen together! I have two complaints with this film. The first is that I think it’s too long. It could be cut by twenty minutes and be just as good. The second is that I could have done without the statutory rape plot line. The way that the script doubled and then TRIPLED done on it was odd to me, even for 2011. (Also, how did I not know that Dan Fogelman, aka the man behind This is Us, wrote this film? Wild.) Overall, I enjoyed this film and could see myself watching it again.


May 27th: The Bob’s Burgers Movie (2022): 5/5

Absolute perfection. I laughed, I cried, I was engrossed in the plot the entire time. Whether you’re a longtime fan of the series like I am, or just curious about the Belcher family, go and see this film in theaters. It’s a delight that should be experienced on the big screen.


May 31st: Ethel (2012): 3.5/5

Available to stream on: HBO Max

A fun fact about me is that I grew up in a very politically passionate family. I come from a long line of Democrats, who adored and respected the Kennedy’s. Despite their many flaws, I find the Kennedy family to be fascinating. Earlier this year, I watched an American Dynasties on the family, which reignited my passion for political documentaries. Ethel is directed by Rory Kennedy, the youngest child of Ethel and Bobby Kennedy. It’s a good surface level documentary about the couple and their 11 (!) children. It features interviews with Ethel and many of Rory’s siblings. I honestly didn’t learn too much new information from the documentary, but it’s always interesting to hear about the subject from the subject themselves.


As always, please leave any film suggestions in the comments. If you’re not already, follow me on Letterboxd to be the first to see what I log!

What I Logged On Letterboxd: May 1st – May 14th

Hello, hello! Welcome back to Pop Talk with Rach. I took a week off from logging anything at the end of April, which led to a delay in What I Logged On Letterboxd this Week. Lucky for you, we’re playing catch up today. I’ll be letting you know what I thought about all of the items I’ve logged on Letterboxd so far in the month of May. Let’s begin.


May 1st: You’ve Got Mail (1998): 4/5

Available to stream on: HBO Max

Fun fact: before this year, I had never seen a Meg Ryan film. I’ve been making up for that this year. So far, I’ve watched four of her films, and I’ve enjoyed each one. While YGM ranks behind When Harry Met Sally and Sleepless in Seattle for me, I still loved it. The opening scene of Meg walking through the streets of New York to get to the small bookstore she owns? Perfection. All hail Meg Ryan.


May 2nd: Before Sunrise (1995): 4.5/5

Available to stream on: Digital rental

I was actually inspired to watch this film after seeing one of my best friends add it to their watchlist. I had never heard of it before, which is surprising since I’m a sucker for a good romance film. I’ve had a lot of time to think about Before Sunrise, and overall, I really loved it. It was beautiful in its simplicity. The chemistry between Ethan Hawke and Julie Delpy was undeniable. My personal favorite scene is when they’re in the restaurant and pretending to call friends from home to describe their feelings about each other. I will be watching the other two films in the trilogy, but I want to wait a while to let this film marinate in my mind a little longer.


May 6th: Doctor Strange in the Multiverse of Madness (2022): 3.5/5

This was…. certainly a film! I was personally a little disappointed with this. Some of the dialogue was straight up goofy, and it was obvious that the film had gone through some extensive reshoots. That being said, I adore Wanda and thoroughly enjoyed watching her destroy everyone who tried to get in her way. The character of America Chavez is deeply needed in the MCU and I can’t wait to see how they use her in the future. I’m honestly not the biggest fan of Doctor Strange as a character, so I wasn’t too invested in his journey. I would be lying though if I claimed that him saying “I love you in every universe” didn’t make me tear up — like I said, I’m a sucker for a good romance.


May 7th: Kate & Leopold (2001): 3.5/5

Available to stream on: HBO Max

Like I told you earlier, I’m committed to watching all of Meg Ryan’s essential films this year. K&L was a super cute, super predictable story. Hugh Jackman is perfect as Leopold, and there’s some laugh out loud funny moments. Give it a chance next time you’re browsing through HBO Max for something to watch.


May 13th: Candy (2022): 4/5

Available to stream on: Hulu

I. Loved. This. What a miniseries! Told in 5 episodes, Candy follows the true story of a Texas woman named Candy Montgomery butchering her friend Betty Gore to death with an axe. The acting is phenomenal and the story is laid out so well. If you’re interested in true crime, give this a watch. I’m fully expecting Jessica Biel to earn an Emmy nomination from this performance.


May 14th: Firestrater (2022): 2.5/5

Available to stream on: Peacock

So… Zac Efron is still hot, right?


That’s been my month on Letterboxd so far. What should I watch next? Leave any suggestions in the comments below. Don’t forget to follow me on Letterboxd to see my logs first!

What I Logged on Letterboxd this Week: April 16th – April 22nd

We’re playing catch up this week on Pop Talk with Rach! Lucky for you, you’re getting two What I Logged on Letterboxd this week. Let’s get into it.


April 17th: Christine (1983): 2.5/5

This was another film that I did not choose to watch, haha. I was once again staying the night at my parents house, and my dad was eager to show me this 80’s horror classic. I’ll be honest — I didn’t love it. The script had some really cringey moments and the misogyny was more evident than usual for an 80’s film. There were some good moments — the horror elements were done pretty well and the first 5 minutes were great. But overall, I would say that you can skip this one.


April 20th: White Hot: The Rise and Fall of Abercrombie & Fitch (2022): 3/5

Available to stream on: Netflix

A Netflix original documentary, White Hot touches on many different points about the clothing brand, Abercrombie & Fitch. It follows the history of the company, the past problematic, longtime CEO, discrimination lawsuits against the brand, and the brands history of racism and fat phobia. I personally found the legal aspects of the documentary to be fascinating. I appreciate the fact that the filmmakers made a point to speak to many of the former A&F employees who filed lawsuits against the company. If you’re into documentaries and pop culture, I highly recommend checking this out.


April 20th: Veronica Mars (2014): 4/5

Available to stream on: Digital rental

I’m certain I will write a blog post about this topic, but I have recently been binging Veronica Mars for the first time. I absolutely love the series and was super excited to watch the feature film. I personally wasn’t disappointed – the mystery was easy to follow, the performances were great, and Logan and Veronica getting back together? Perfection. If you haven’t seen the original 3 season of the series before watching the film, I doubt you would really love this. But if you have watched the original seasons I’m sure you will be satisfied with this film. (Side note: this is Kristen Bell’s best character. VM forever.)


Alright! We’re not caught up on what I’ve been logging on Letterboxd. I haven’t watched anything in a week, so I have some catch up of my own to do. Stay tuned for what I log next. Follow me on Letterboxd to see the logs first!

What I Logged on Letterboxd this Week: April 9th – 15th

Welcome back to What I Logged on Letterboxd! Apologies for the delay — my family and I lost my grandmother and everything else in my life seemed to pause for a moment. But I’m back! Let’s get into it.


April 9th: The Worst Person in the World (2021): 3/5

Available to stream on: Digital rental

You know the feeling when you’re watching something and think to yourself, “This feels pretentious”? Yeah, that’s how I felt while watching this. I was originally super excited to check out what the hype was about — I was especially excited to see Renate Reinsve‘s performance. And while her performance was great, her talent seemed wasted on this script. Overall, I found the whole film to be a bit dull. I could tell that the screenwriters really felt like they did something, but whatever they were doing didn’t land for me.


April 14th: Onward (2020): 3.5/5

Available to stream on: Disney+

Man, this was cute! I loved the voice performances from the cast, especially Tom Holland as Ian. I do see why people may have not loved it — the plot was a little thick for a Pixar film. But I genuinely enjoyed it and definitely shed a few tears towards the end. Check this out if you haven’t yet.


April 15th: Shrek (2001): 4.5/5

Available to stream on: Hulu or Netflix

Can you tell I was going through it this particular week? I needed a comfort film this night, and boy did Shrek deliver. I watched this so much growing up that every scene felt familiar to me. The only thing that stuck out to me on this rewatch was just how MEAN Shrek is to Donkey. Frankly, Shrek doesn’t deserve Donkey’s friendship. But that’s neither here nor there.


And that was it for this week! Thank you for tuning in to this edition of What I Logged on Letterboxd. Make sure to leave any watch suggestions down in the comments.