Are We Finally Getting Good Examples of Gen Z Language in Mainstream Media?

One of the defining characteristics of each generation is the slang words that are popular with them. YOLO. Lit. Groovy. Far out. Rad. Rizz. Slay. Bummer. Ate. Wicked. These words can connect us, make us laugh, or create confusion. Above us, these words seem to have a cultural expiration date. When was the last time you heard someone say or type out the word YOLO? 

Some of the most popular Gen Z slang terms are aura, banger, basic, fire, gagged, and many, many more. Gen Z *loves* their unique generational language.

I’ll address the elephant in the room right off the bat – I’m a ‘97 baby, someone stuck between millennial and Gen Z. I identify with both groups, especially when it comes to pop culture. I grew up loving High School Musical, One Tree Hill, and Glee and as an adult… also really love those things. With a new critical eye towards them, of course. But I also am having a Brat™ summer and love to unironically use the word slay at least a dozen times per day. That last one is a problem, honestly. 

Gen Z is generally defined as children born between 1997 and 2012. Typically, Gen Z are the children of young baby boomers (like myself) or Gen X. If we’re following those years, Gen Z ranges from 12-27 years old. That’s quite a large gap, which partly explains why people born in the late 90’s may be caught off guard by what slang someone born in 2010 may use. 

I’d be remiss to mention that a lot of Gen Z slang in particular does take inspiration from AAVE (African-American Vernacular English) and the queer community, specifically from drag queens. Slay, for example, is from the drag scene in the 80’s and 90’s. Thank you to the queens who came before us for these words. 

As we get further into the 2020s, we’re getting more media revolved around Gen Z characters. Whether or not the actors playing these characters are Gen Z is a whole other debate. The examples I want to look at today are the show Pretty Little Liars: Original Sin and the movie Teenage Mutant Ninja Turtle: Mutant Mayhem

Pretty Little Liars: Original Sin revolves around a group of teenage girls born in the 2000s. The girls are in high school and have varying interests – sports, horror films, dance, chat rooms, and, ya know, solving a 20-year-old mystery. Normal teen things. 

One of the things I noticed the most while watching season 1 of PLL:OS was the excessive use of film quotes and references from the character, Tabby, in particular. Tabby works at the local movie theater and has a passion for film, horror films in particular. She almost excessively finds a way to tie everything back to a horror film throughout the season – telling herself she’s a “final girl” while entering a dark staircase, making a gender-swapped tribute to Psycho for her film class, or encouraging her classmates to attend a Jordan Peele double feature that she hosts.

Honestly, these references pretty much all landed for me. I don’t mind a little meta-commentary in a show, and her character reminded me a lot of the new characters we see now in slasher films like Scream VI. She’s the member of the group who thinks she’s smart enough to save everyone from the killer and she wants everyone to know that. She’s seen the classics, the remakes, and the reboots, and she can get them all out alive. 

Many of the comments I saw about Tabby on the TV Time app expressed annoyance at her references and quotes. They ranged from wondering how a teenager could know all of these movies, to wanting her to shut up. In my experience, with the rise of apps like TikTok and Letterboxd, I think it’s more common for teenagers to watch a lot of films and have strong opinions of them. I genuinely believe that Tabby has seen all of the movies she’s referencing – now, do I believe all of the teens on the show have? Absolutely not. But it makes Tabby’s character stand out and ties back to her main plot line very well. 

Throughout the show, we see a lot of arguing among the teens, particularly between boys and girls. We see boys telling girls to “chill out” and, in one particular confrontation, a boy asking if Tabby is trying to “win the award for angriest black girl.” I think this is a pretty good representation of how teenagers tend to argue these days – as a more socially conscious generation, Gen Z knows the hot topics to push while in a heated confrontation. When I was in high school, the boys would make misogynistic jokes, make fun of our feminist club, and tell us that “feminism wasn’t real.” I believe that teens today have an even sharper eye on contemporary gender dynamics and could draw on deeper social issues to cut deep and evoke a stronger reaction from their opponents. 

Overall, I believe Pretty Little Liars: Original Sin is a good representation of Gen Z as a whole, particularly how they use, and occasionally weaponize language. The characters aren’t using slang just to use slang. Their dialogue feels more natural than that. Perhaps since the show is structured as more of a mystery than a comedy, we don’t see the writers trying to force in Gen Z slang to get a cheap laugh from the audience. We see the characters using it amongst themselves, either when they’re feeling comfortable or when they’re defending each other. The adults in the show aren’t using it to embarrass their kids and the mysterious “A” doesn’t use it in their texts to the girls. It’s used sparingly, which I think is the smartest thing that the writers could do. 

Teenage Mutant Ninja Turtle: Mutant Mayhem takes almost the opposite approach to PLL:OS, to similarly successful results. Brothers Michelangelo, Leonardo, Raphael, and Donatello are chronically online teenagers who love to use Gen Z slang. They scroll TikTok, they roast each other constantly, and they spend their free time imagining what it would be like if they could be normal teenagers. 

Look at these cuties! I love them!

Teenage is a fascinating example because the voice actors for the mutants are actual teenagers! While recording their lines for the film, each actor was younger than nineteen years old. Their young voices, whether laced with sarcasm, melancholy, or longing are part of why this movie works as well as it does. You believe the brothers would gang up to tease Donatello for having no “rizz,” for example. 

Teenage relies heavily on slang throughout the various character interactions in the film. Not only do the brothers use it amongst themselves, but they’re nervously using it while speaking to April (voiced by Ayo Edebri, our Irish queen) and while trying to connect with the new mutants they meet throughout the film. It slips out unconsciously, effortlessly fitting into the dialogue. That being said, I don’t believe it ever becomes too much or ever becomes cringe. And a movie like this could so easily become cringe. 

I have to give a specific shoutout to the film’s writers for making this all seem so natural – Seth Rogen, Evan Goldberg, Jeff Rowe, Benji Samit, and Dan Hernandez. Bravo all around. 

For every good example of good Gen Z representation, there are ultimately three bad examples. Screenwriters across the world are still trying to see what works and what doesn’t when it comes to media based on this age group. I hope that writers can see how Pretty Little Liars: Original Sin and Teenage Mutant Ninja Turtles: Mutant Mayhem utilize their teenage characters’ language, habits, and relationship dynamics and create even stronger media. 

Pretty Little Liars: Original Sin is available to stream on Max. Teenage Mutant Ninja Turtles: Mutant Mayhem is currently available to stream on Amazon Prime.

How Red, White & Royal Blue Became a Queer Classic

When Red, White & Royal Blue was published in 2019, an FBI Hate Crime Report showed an uptick in anti-LGBTQ+ attacks. While readers enjoyed the love story between Alexander Claremont-Diaz and Henry Mountchristensen-Fox-Windsor, one out of every 10 LGBTQ+ people was the victim of a hate crime. And while Amazon Studios won the bidding war to obtain the movie rights to the enemies-to-lovers tale, the Trades Union Congress found that nearly seven out of 10 LGBTQ+ people in the U.K. reported harassment at work. 

During a time of increased hate against the LGBTQ+ community, how did author Casey McQuiston give readers a safe space to enjoy a love story between a bisexual First Son of the United States and a gay Prince of England? The answer is shockingly simple. Virality. 

To back up, as mentioned, Red, White & Royal Blue is told from the point of view of Alexander Claremont-Diaz, the First Son of the United States. His mother, Ellen Claremont, is the first female President of the United States. The story opens with him, along with his sister, June, and their friend, Nora (who also happens to be the granddaughter of the Vice President) attending the royal wedding of Phillip Mountchristensen-Fox-Windsor to represent the United States. While at the wedding, Alex drunkenly argues with the groom’s brother, Prince Henry, his sworn enemy. During the argument, the two end up in front of the wedding cake, which boasts an extravagant $75,000 price tag. By the end of the confrontation, he and Henry are both on the ground, covered in said cake. 

To avoid a further international public relations nightmare, upon returning to the U.S., President Claremont instructs Alex to go on a series of public appearances with Prince Henry to dispel the rumors that the two dislike each other. Alex despises this assignment due to his, well, dislike of Henry. As time goes by, though, he and Henry begin to develop an actual friendship that soon turns into more. 

As mentioned, the story is an enemies-to-lovers tale, a favorite among modern rom-com audiences. Think Elizabeth Bennet and Mr. Darcy from Pride and Prejudice – coincidentally, one of Henry’s favorites in RW&RB. Throughout the novel, Alex comes to terms with being bisexual, falls in love with Henry and deals with the fallout of his and Henry’s relationship being exposed to the world through an email leak. The culprit of the leak? President Claremont’s challenger for the presidency, a far-right senator, of course. 

In an interview with Glamour in December 2019, McQuiston said that they didn’t think much about what would happen after the book hit the shelves. Soon after publication, though, loyal fans of the novel began posting online about the story in droves. Twitter and Tumblr alike came alive with fan art, fan fiction and heaps of praise for the love story. The novel debuted on The New York Times bestsellers list for the week of June 2, 2019. As mentioned, Amazon Studios won the bidding war for the film rights to the story. 

As 2019 turned to 2020, the COVID-19 pandemic gripped the world and forced people into their homes. The pandemic is credited for the rise of TikTok, which, in turn, created one of the most passionate sections of the internet: BookTok. 

BookTok is short for “Book Tik Tok,” a community on the platform that shares what they read, why they read, how much they read and more. As of September 2023, the BookTok hashtag has 176.5 billion views. BookTok is credited with bringing business to book retailers such as Barnes & Noble, with the chain embracing the trend. Walk into any Barnes & Noble in 2023, and you won’t have to look far to find a “Trending on BookTok” table. 

One of the largest groups within the BookTok community is the romance readers. These readers have helped kickstart and continue the popularity of multiple modern romance authors, including Colleen Hoover, Taylor Jenkins Reid, Jenny Han and our very own McQuiston. 

When asked for books that feature queer characters, BookTok creators recommended RW&RB. When asked for recommendations about a queer love story, BookTok creators recommended RW&RB. When asked for a beginner book in the romance community, BookTok creators recommended RW&RB. The message was clear – looking for something to read? Read RW&RB

Within months of its release, the novel sold over 100,000 copies. McQuiston soon gained a loyal following, writing and releasing two more novels between 2020 and 2023. RW&RB continued to gain popularity within the BookTok community and beyond. 

Then the film adaptation of the beloved novel was released, and the story reached new heights. 

For context, the support of BookTok extends outside of strictly novels, with readers rushing to streaming services the moment a television or film adaptation drops. The Summer I Turned Pretty, a series by Han, was adapted into a television series on Amazon Prime Video. So was Daisy Jones & The Six, a novel by Jenkins Reid. The success of these projects is hard to ignore. TSITP has been one of the most-watched shows for two summers now. Daisy Jones, released as a limited series, was nominated for nine Emmy Awards in 2023. 

How did the RW&RB adaptation fair in 2023? Pretty darn well. 

The film stars Taylor Zakhar-Perez and Nicholas Galitzine as Alex and Henry, respectively. While changes were made to the story for the film adaptation, the love story between Alex and Henry is kept relatively unchanged from beginning to end. The film was a hit with audiences, with Amazon reporting that it was the #1 film worldwide on Prime Video the week after it was released. In the same report, Amazon boasted that the film was the third most-watched romantic comedy of all time on Prime Video. 

The film’s release led to a resurgence of love for the novel online, once again led by Twitter and Tumblr users. This time, TikTok blew up with videos of users analyzing the film, breaking down Easter eggs and lusting over both lead actors. After the film’s release, the novel jumped back onto The New York Times bestsellers list and continued its impressive marathon of over 25 weeks on the list, as of September 2023. 

In short, the film release solidified Red, White & Royal Blue as a modern queer classic.

Speaking as a bisexual woman, the joy I felt while reading the novel and watching the film was unparalleled to any other I’ve had before. Reading and watching Alex and Henry fall in love offered me a welcome escape. While I prefer nonfiction books, this rom-com stayed in my mind for weeks after reading. The power of representation has been spoken of in length over the last decade. However, I can confirm that there is something uniquely moving about reading (or watching) a character that’s a member of your community come into themselves. Alex is an intelligent, vivacious, funny character that I’m inspired by. I’m grateful that McQuiston created Alex and I’m grateful that a new generation of bisexuals have him to look up to. 

Red, White & Royal Blue is now streaming on Prime Video. You can order a copy of the novel from your preferred retailer here